Throughout her career, spanning more than two decades, Jessica Hopper, a revered and pioneering music critic, has examined women recording and producing music, in all genres, through an intersectional feminist lens. The First Collection of Criticism by a Living Female Rock Critic features oral histories of bands like Hole and Sleater Kinney, interviews with the women editors of 1970s-era Rolling Stone, and intimate conversations with iconic musicians such as Björk, Robyn, and Lido Pimienta. Hopper journeys through the truths of Riot Grrrl's empowering insurgence; decamps to Gary, Indiana, on the eve of Michael Jackson's death; explodes the grunge-era mythologies of Nirvana and Courtney Love; and examines the rise of emo. The collection also includes profiles and reviews of some of the most-loved, and most-loathed, women artists making music today: Fiona Apple, Kacey Musgraves, M.I.A., Miley Cyrus, Lana Del Rey.
In order for the music industry to change, Hopper writes, we need “the continual presence of radicalized women . . . being encouraged and given reasons to stay, rather than diminished by the music which glues our communities together.” The First Collection of Criticism by a Living Female Rock Critic is a rallying cry for women-centered history and storytelling, and a groundbreaking, obsessive, razor-sharp panorama of music writing crafted by one of the most influential critics of her generation.
"[The First Collection of Criticism by a Living Female Rock Critic] is by turns loose and warm and finicky and outraged, and its best pieces are more observant than 94 percent of the first novels that have come my way this year."—Dwight Garner, The New York Times
"An airtight case for why the professional critic still matters, and why it is a thrill to spend time in the presence of someone whose job it is to care so much and so intelligently."—Kathleen Rooney, Chicago Tribune
"The First Collection is a game-changer, a godsend, and a Holy Grail for those who have been forced to reside on the fringe of the notoriously 'male-dominated sphere' of rock criticism and fandom [ . . . ] Hopper's work, influence, and unwavering support for the diversification of voice and perspective within music journalism have altered the landscape of rock criticism for the better. It may be the first collection of criticism written by a female rock critic, but it's definitely not the last."—Dianca Potts, The Village Voice
"[The First Collection of Criticism by a Living Female Rock Critic is] a rallying cry for anyone who’s ever loved music and anyone who’s ever wanted to change the world."—Marianela D'Aprile, Jacobin
"Jessica Hopper has become a mandatory name in the world of music criticism, and this latest collection is the icing on the cake. At the book’s heart, you’ll find a funny, thoughtful writer whose extensive journalism career cements her as a lasting voice in the genre."—Mack Hayden, Paste
"A game-changing collection of writing . . . Hopper has created a bible for aspiring writers, not just music critics."—Jessica Goodman, Huffington Post
"Hopper is one of the most vital and prolific music critics around . . . the book brims with Hopper’s lean prose and mic-dropping one-liners."—Paula Mejia, Newsweek
"I read Hopper's work with a sense of bewildered gratitude. She concedes nothing to the idea that it is dumb to care so much. The excitement in her work comes from her faith that these things are worth scrapping about."—Rob Sheffield, author of Love is a Mixtape
"Essential reading . . . A canny blend of punkish attitude and discographical smarts that blasts boys-club assumptions about pop music."—Kirkus Reviews (starred review)
"Prolific and inimitable writer Hopper lays bare a storied career and a true gift for music journalism . . . Hopper’s writing spans generations and genres . . . [She] is an artist whose curiosity about creativity has produced a stunning body of work, both in breadth and skill, and this is her lyrical, observant magnum opus.”—Booklist (starred review)
"[A] revised and expanded edition that hits just as hard . . . This fiery work is the literary equivalent of a maxed-out Marshall stack."—Publishers Weekly (starred review)
I Have a Strange Relationship with Music
HIT IT OR QUIT IT #17, SPRING 2002
I have a strange relationship with music. It is strange by virtue of what I need from it. Some days,...