Mothering is as old as human existence. But how has this most essential experience changed over time and cultures? What is the history of maternity—the history of pregnancy, birth, the encounter with an infant? Can one capture the historical trail of mothers? How?
In Mother Is a Verb, the historian Sarah Knott creates a genre all her own in order to craft a new kind of historical interpretation. Blending memoir and history and building from anecdote, her book brings the past and the present viscerally alive. It is at once intimate and expansive, lyrical and precise.
As a history, Mother Is a Verb draws on the terrain of Britain and North America from the seventeenth century to the close of the twentieth. Knott searches among a range of past societies, from those of Cree and Ojibwe women to tenant farmers in Appalachia; from enslaved people on South Carolina rice plantations to tenement dwellers in New York City and London’s East End. She pores over diaries, letters, court records, medical manuals, items of clothing. And she explores and documents her own experiences.
As a memoir, Mother Is a Verb becomes a method of asking new questions and probing lost pasts in order to historicize the smallest, even the most mundane of human experiences. Is there a history to interruption, to the sound of an infant’s cry, to sleeplessness? Knott finds answers not through the telling of grand narratives, but through the painstaking accumulation of a trellis of anecdotes. And all the while, we can feel the child on her hip.
“The last couple of years have been marked by an explosion of writing about motherhood in memoir and fiction. The early moments recorded by Knott can be found in Jessie Greengrass, in Rivka Galchen; going further back, there’s Maggie Nelson, further still, Rachel Cusk. What Knott adds to this is less her own experience, though it’s beautifully recorded, than the wider perspective that allows her to say with authority that mothering has always been intimately connected with other aspects of our economic and social lives.”—The Guardian
“This lyrical book—one-third memoir, two-thirds history—guides us through centuries of pregnancy, childbirth, and infant care. Sarah Knott stitches her personal story to vignettes from the past and shows us how everyday mothering differed in time and place. With stunning prose, she gives us the sensory shorn of the sentimental. A riveting read.”—Joanne Meyerowitz, Yale University
“In this innovative, grippingly readable history, Sarah Knott has woven a scintillating tapestry of ideas and experiences across time. Mother Is a Verb is a moving and enlightening meditation on the most elemental, yet ceaselessly varied, of all human bonds.”—Faramerz Dabhoiwala, author of The Origins of Sex
“The union of memoir and history comes of age. Sarah Knott weaves an intimate account of becoming a mother into a richly documented history of maternity. This is a book to savor and share with anyone who loves great history writing.”—Barbara Taylor, Professor of Humanities at the University of London and author of Eve and the New Jerusalem and The Last Asylum
“In this beautifully written book, Sarah Knott speaks from the vantage point of a mother and a historian. Full of stories ranging across time, space, and ethnicity, with imagery that touches all our senses, Mother Is a Verbcaptures the physicality and emotions of motherhood so that even those of us who have never experienced it ourselves feel what it is like to get pregnant, give birth, and raise a child.”—Nancy Shoemaker, Professor of History at the University of Connecticut and author of A Strange Likeness
“This fabulous book manages both to re-create what those extraordinary early months of motherhood are like and to make sense of them by placing them in history. Sarah Knott’s diary of motherhood is poetic: she conveys the sense that time has stopped, that only the baby’s reflux matters, the heightened power of smell, the loss of self. The historical anecdotes Knott provides are riveting, and open up new ways of understanding what motherhood can be. This is a new kind of history writing. A truly original, inspiring book.”—Lyndal Roper, Regius Professor of History at the University of Oxford and author of Martin Luther
“Knott's novel approach, companionable tone, and sidesteps into memoir of mothering her own babies give the book a sense of freedom; sharing her joy or delirium, she shifts naturally into intimate, poet's prose. Focused, short chapters further accommodate non-scholarly audiences and fellow historians alike. Hers is a deliberate and altogether radical effort in making the unseen sensational, and the mundane anything but.”—Booklist
“An exploration of mothering, a capacious, complex, and creative experience. Historian and mother of two, Knott grounds her illuminating investigation in her own experience of pregnancy . . . A fresh, lively narrative of personal and historical memory.”—Kirkus Reviews
"Historian Knott explores the concept of mothering throughout history in this intricate and complex narrative. Knott views the practices of mothering through the lens of such actions as conceiving, birthing, cleaning, feeding, sleeping, and being interrupted . . . This painstakingly researched work will be of most interest to social historians."—Publishers Weekly
Reviews from Goodreads
Mothering by Numbers
Back to the beginning, before there is any child on hand, just as research is under way. Mothering is only an abstract prospect.1
The clock tower outside the window shows ten to the hour. University...