Kraft

“A finely handled, comic dramatization of the microcompromises, stifled shame and bad-faith gymnastics of sham writers who tell the Culture whatever it wants to hear . . . Lüscher is a perceptive commentator on Silicon Valley’s heady and hubristic ideological climate, with its smug boasts of 'disruption' and death-denying (or rather 'posthuman transtheotechnist') longings . . . Lüscher sniffs out the fraudulence in the very roots of his characters’ political stances.”—Rob Doyle, The New York Times Book Review

“An exceedingly cerebral comic novel . . . These long winter nights offer a chance to burrow into literary challenges—this winter especially. And though Kraft may sound far afield from your usual reading choices, much of it takes place in America and revolves around the promise of Reaganomics.”—Ron Charles, The Washington Post

“A pitch-perfect social satire . . . an allegory for our techno-crazed, consumption-addicted, soul-crushing times . . . An alternative, perhaps, to the simplistic formula underlying so many best-sellers today, which it pretends to apply.”—Kai Maristed, The Arts Fuse

“The book of the hour, the book for our time.”—Deutschlandfunk

“The author of the much-praised Barbarian Spring . . . presents a clever, science-skeptical, contemporary novel, unparalleled in the new vanguard of Germany literature.”—Gerrit Bartels, Deutschlandradio Kultur

“A highly intelligent, deeply enjoyable read that offers hilarious twists and turns.”—Holger Ehling, Buchkultur

"Jonas Lüscher’s Kraft is a pitch-perfect comedy of manners about the search for meaning in Silicon Valley, a brilliant, bemused expedition to a land we have come to know all too well.”—Adrian Daub, author of What Tech Calls Thinking

“A German professor meets Silicon Valley. This tragicomic encounter discharges a bunch of neoliberal myths, startup fantasies, techno-optimistic visions, and religions of the market. Jonas Lüscher's Kraft is a thrilling campus novel, a sparkling comedy on human flaws, and a brilliant essay about the burlesque spectacle of ideas in recent capitalism.”—Joseph W. Vogl, professor of Modern German Literature, Cultural and Media Studies at Humboldt University Berlin and Princeton University

“An arch, fascinating satire of world-weary European skepticism and irrational American hopefulness . . . [written with] gloomy humor and dense but never arid ruminations. This is a wonderfully strange novel, and one not to be missed.”—Publishers Weekly (starred review)