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Aftermath

On Marriage and Separation

Rachel Cusk

Picador

Aftermath Download image

ISBN10: 1250828295
ISBN13: 9781250828293

Trade Paperback

160 Pages

$17.00

CA$23.00

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In the winter of 2009, Rachel Cusk’s marriage of ten years came to an end. Candid and revelatory, Aftermath chronicles the perilous journey as the author redefines herself and creates a new version of family life for her daughters. She discovers previously unknown strengths and freedoms but also finds herself suddenly vulnerable to outsiders, unwelcome advice, social displacement, and the absence of a clear authority. The pressure to reconstruct a “normal” life for her daughters competes with the sense that nothing feels normal at all.

Aftermath is a classic: a masterly work in which the author, at her most ruthless and rigorous, charts the largely unwritten journey back to order from the chaos that is left when a family breaks apart.

Reviews

Praise for Aftermath

"Cusk can nail a simile like Gabby Douglas can execute a backflip . . . [She] is not afraid to take herself seriously—which is a tendency that George Eliot, among others, understood the value of."—Rebecca Mead, The New Yorker

"Brilliant . . . as slim and revealing as a microscope slide . . . over eight echo-laden chapters, Cusk moves through her period of aftermath, from agitation to recrimination, to numbness, to new stirrings.—Lisa Shea, Elle

"Like Virginia Woolf, Cusk is a digressive but strategic essayist . . . This book is a solace to anybody who has dwelt in post-familial wastes."—Liza Mundy, San Francisco Chronicle

"Thrilling . . . There are riches buried like gold in the bitter picture Cusk describes . . . An enormously talented writer."—Nan Goldberg, The Boston Globe

"Engaging . . . [and] full of feeling . . . Cusk is a great observer of the roles people—and especially women—play, studying not only the garbs they put on for tradition and ideology but also how this action affects their understanding of themselves."—Ashley Nelson, The Washington Post

"A well-wrought treatise on the stark reality of divorce. Cusk fearlessly cultivates her own aftermath, or ‘second sowing,' and chooses to live ‘the disorganized life and feel the dark stirrings of creativity, than to dwell in civilized unity, racked by the impulse to destroy.'"—Meganne Fabrega, Star-Tribune (Minneapolis)

"Compelling . . . Strikingly beautiful . . . Meticulously crafted . . . [Cusk] is a keen, even brilliant, observer of her own behavior."—Margaret Eby, The Christian Science Monitor

"I read A Life's Work shortly after I, too, had had a child, and doing so was like finally letting go of a breath I had held for a year. Ostentatiously smart, fearless, the author displayed what almost seemed a compulsion to yank the threads of that impossibly pretty doily tatted by convention around motherhood . . . Her memoir of divorce displays the same ferocity of intellect, humor, and occasional bad mood . . . It is a testament to Cusk's talent that she was able to make something of [divorce] that would not set fire to the reader, only raise the occasional blister; it was she, the newly divorced, who was rendered ash. That is how it always is. But sometimes a phoenix rises. Sometimes the bird takes the shape of a book."—Melissa Holbrook Pierson, The Daily Beast

"Readers who admire the difficult discipline of self-scrutiny will find precision, beauty and a complicated truth in Cusk's narrative."—Jane Shilling, New Statesman

"Artful and nuanced . . . [Cusk] has the novelist's saving graces—honesty, courage, and the ability to depict her experiences in exquisitely crafted language . . . Her exacting, cerebral treatment of such a highly-charged subject is what makes it of literary value."—Amanda Craig, The Independent

"Brilliant . . . Rachel Cusk's books are like pop-up volumes for grown-ups, the prose springing out of the page to bop you neatly between the eyes with its insights."—Julie Burchill, The Observer (London)

"Unflinching and beautifully wrought . . . Cusk uses the [memoir] form with great tact and writerly panache. She is at once probing and reticent, mustering her scenes and images to convey the truth of enmeshed lives and loves . . . [Aftermath is] full of beauty—the beauty of language struggling to reveal an experience which is complex and scored with doubts and pain."—Lisa Appignanesi, The Daily Telegraph

"Startlingly insightful . . . Rachel Cusk's writing has quietly thrilled me for years with its intelligence, perception and understated power: ordinary people's flaws are depicted vividly yet without fanfare in brittle, brilliant prose . . . As always with Cusk, it's exhilarating to feel stimulated, to have fabulous phrases and similes cause pulses of pleasure."—Leyla Sanai, The Independent on Sunday

"Compelling and assured . . . [Cusk is an] exacting, formidable talent."—Alison Pick, The Globe and Mail (Toronto)

"Striking . . . Startling . . . Unflinching . . . Bold, gripping, original and occasionally darkly funny."—Kirkus Reviews (starred review)

"A penetrating exploration of gender roles in the context of marriage and family and how the dissolution of a marriage changes a person's relationship with others."—Vanessa Bush, Booklist

"In this thought-provoking memoir, Cusk musters her considerable literary powers to mine a complex terrain filled with heartbreak and doubt . . . Interspersed within the narrative are stories within stories, vivid scenes, and piercing observations."—Publishers Weekly (starred review)

BOOK EXCERPTS

Read an Excerpt

Aftermath

AFTERMATH
Recently my husband and I separated, and over the course of a few weeks the life that we'd made broke apart, like a jigsaw dismantled into a heap of broken-edged pieces.
Sometimes the matrix of a jigsaw...

About the author

Rachel Cusk

Rachel Cusk is the author of Second Place; the trilogy Outline, Transit, Kudos; the essay collection Coventry; the memoirs A Life’s Work, The Last Supper, and Aftermath; and several other novels: Saving Agnes (winner of the Whitbread Award), The Temporary, The Country Life (winner of the Somerset Maugham Award), The Lucky Ones, In the Fold, Arlington Park, and The Bradshaw Variations.

Siemon Scamell-Katz

Rachel Cusk

Read Articles by the Author at The New York Times