Lou Reed

"There have been many biographies of Lou Reed, but Will Hermes has written the definitive life. He has probed into every corner, talked to people the others overlooked, dug up every last clipping and tape, but above all he has brought to the assignment a sharp eye, a clear head, a lucid prose style, and a determination to let Lou be Lou, without judgment."—Lucy Sante, author of Low Life

"As in his magisterial Love Goes to Buildings on Fire, Will Hermes again tracks the traces of time in New York City, but now focusing in on one pulse, the scorching light that was Lou Reed. He chronicles the past that made this artist and the future he helped call into being our own, especially the expansive senses of gender and sexuality that Reed longed for and sang about, but never got to benefit from fully. Hermes’s empathy for the pain behind his subject’s notoriously difficult personality is worthy of the humanity of Reed’s songs, and I couldn't offer higher praise."—Carl Wilson, music critic at Slate and author of Let’s Talk About Love: A Journey to the End of Taste

"Lou Reed: King of New York is a monumental work filled with first person accounts of the master's life and a dizzying array of never-before-heard details. Through his all-encompassing focus on Lou, Will Hermes serves up a big slice of late 20th-century New York art history. This is an extraordinary achievement.”—Michael Imperioli, author of The Perfume Burned His Eyes

"Ezra Pound said that artists are the antennae of the race. Voilà: Lou Reed. Will Hermes gives us Reed in his full charismatic whiplashing complexity—sexy, surly, song-mad, vulnerable, shape-shifting, omnivorous, alert, brilliantly generative, creating and thriving in several musical and artistic ecologies over decades. This riveting, sensitive biography is everywhere underwritten by Hermes’s grasp of late twentieth-century New York, throughlines of American music, and his own antennae for musical and cultural scenes and specificities. Hermes offers a profound reckoning unburdened by hagiography yet unembarrassed to celebrate. This will surely be the definitive biography of Reed for decades—for fans, friends, the curious, the indifferent, and even enemies. As Reed’s beloved teacher Delmore Schwartz wrote, 'Time is the fire in which we burn.' As Hermes shows, Lou Reed was both the fire and the burnt."—Maureen N. McLane, author of My Poets

"Hermes shrewdly probes Reed’s complex personal and professional life . . . Hermes’ strength is in identifying and articulating the transformational brilliance of Reed’s songwriting and performances within the context of the 1960s and ’70s music scene. Reverent about his artistry, he’s also discerningly cognizant of Reed’s temperamental shortcomings . . . An engrossing, fully dimensional portrait of an influential yet elusive performer."—Kirkus Reviews (starred review)

"Hermes, a superb writer, does poetic justice to the complicated life of his difficult subject . . . [He] offers a fresh and deep immersion in Reed’s world in all of its weird and wonderful, curmudgeonly glory . . . Powerful . . . [A] biographical magnum opus."—Booklist (starred review)